The Symbol of Discovery
Browse information by: Location Makers General Information Classification Object Parts Object Condition History References Photographs | Author: Anthony McIntosh Copyright for Photograph: Creative Commons |
Location
Street: | East Row |
Town: | Chichester |
Parish: | Chichester |
Council: | Chichester District Council |
County: | West Sussex |
Postcode: | PO19 |
Location on Google Map | |
Object setting: | Outside building |
and in: | Road or Wayside |
Access is: | Public |
Location note: | Junction with Little London, outside the Chichester District Museum. |
In the AZ book: | West Sussex |
Page: | 140 |
Grid reference: | C7 |
The A-Z books used are A-Z East Sussex and A-Z West Sussex (Editions 1A 2005). Geographers' A-Z Map Company Ltd. Sevenoaks. | |
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Makers
Name : | Stanley Roth |
Role: | Architect |
Name : | John Skelton |
Role: | Sculptor |
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General Information
Commissioned by: | Stanley Roth |
Installation date: | 1963 |
Unveiling date: | 1963 |
Work is: | Extant |
Owner custodian: | Chichester City Council |
Object listing: | Not listed |
Description: | Depicts two hands cradling a man-made jewel of gold leaf set in perspex. The surrounding cobblestones are inscribed. |
Inscription: | SYMBOL OF DISCOVERY Westmorland slate John Skelton Unveiled in 1963 by Sir Charles Wheeler PRA Museums present to the world the precious offerings of the earth JS |
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Classification
Categories: | Sculptural, Free Standing, Composite |
Object type1: | Sculpture |
Subject type1: | Figurative |
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Object Parts
Part 1: | Jewel |
Material: | Gold leaf set in perspex |
Part 2: | Plaque |
Material: | Blue slate |
Part 3: | Two hands |
Material: | Kirkstone Westmoreland green slate |
Height (cm): | 200 |
Width (cm): | 60 |
Depth (cm): | 25 |
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Object Condition
Overall condition: | Good |
Risk assessment: | No known risk |
Date of on-site inspection: | 01/05/2007 |
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History
History: | Commissioned by Stanley Roth to stand on the forecourt of the Museum. Unveiled at opening of museum in 1963 by Sir Charles Wheeler.
'Constructed around the idea of a 'fragment', the form of the work has its roots in the discovery of antique remains, an idea that in the Romantic period became a symbol of loss. One of Henry Fuseli's most famous works shows a male figure bereft and weeping over the beauty of a large carved antique fragment. This metaphor for the lost totality, a vanished wholeness, looks back to the holy relics of saints, and Skelton's work draws on this tradition.' ('Chichester and the Arts: 1944-2004') |
Hard archive file: | No |
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References
Source 1 : | |
Title: | 'Chichester and the Arts: 1944-2004' |
Type: | Book |
Author: | Foster, Paul (Ed.). |
Date: | 00/00/2004 |
Publisher: | University College Chichester. |
Further information: | |
http://www.johnskelton.org.uk/ | |
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Photographs
Date: 01/05/2007 Author: Anthony McIntosh Copyright: Creative Commons | Date: 01/05/2007 Author: Anthony McIntosh Copyright: Creative Commons |
Date: 01/05/2007 Author: Anthony McIntosh Copyright: Creative Commons | Date: 01/05/2007 Author: Anthony McIntosh Copyright: Creative Commons |
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